Chasing Light

What do you do if you want to go somewhere and your family and friends don’t or can’t get away when you can? Deciding to explore the world on your own can be a daunting prospect. Thoughts of the drawbacks may cycle through your mind: having no one to rely on should problems arise, planning the trip all on your own, being a target because you are solo, table for one most of the time, or the possibility of being lonely.  The perks of doing what you want, when you want, wherever you want look attractive but will it be right for you? It takes a leap of faith to take on the challenge. As with most things — you don’t know what you don’t know. With a “you won’t know until you try it” attitude, I took that leap of faith to France a couple of years ago and in the process learned a lot. Among many memorable experiences, a long afternoon and evening taking in the changing light of Mont Saint-Michel stands out.

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At first sight, the Mont is an impressive and awe-inducing structure. Its size dwarfing the people and vehicles on the bridge. This area is known for extreme tidal fluctuations and upon my arrival the tide was out and the light muted from the gray sky.

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Boats become stranded and people walk in the silty sand, with caution, during low tides.

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I walked up to the Mont on the bridge, explored the town and toured the Abbey taking my time admiring and capturing the almost 360-degree view from the top.

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As the afternoon became evening, the sky, filled with billowy clouds, was ever-changing. The golden hour had begun. Different times of day bring a change in light to subjects. At sunrise and sunset the sun is near the horizon which creates a golden hue and casts long shadows. The hour or so leading up to and right after sunrise and sunset the light changes hue quickly: from deep blue to pink to gold in the morning and the reverse in the evening.

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The late afternoon sun added a beautiful golden tone to the walls.

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The surrounding countryside isn’t immune to the sun’s rays.

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Lost in the color changing cloud shifting metamorphosis in the sky, I suddenly became aware of the sound of rushing water: the tide, on its return, surging towards the land. Within about a half an hour, the boats are once again afloat as the gold turns to pink.

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The speed of the incoming tide creates waves.

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Captivated by this tidal phenomenon, I hadn’t noticed the darkening sky until a drop of water hit my cheek pulling my attention back to the sky. First one, then another and another and suddenly I am in the middle of a rainstorm. Luckily, I came prepared and pulled out my umbrella allowing more time enjoying the demonstration of mother nature’s extremes. During the rain, the lights on the Mont were lit, illuminating the walls.

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Slowly the golden hour/pink moment gave way to the blue hour.

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I left to grab some dinner and afterwards went back to get the full nighttime experience.

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The tide was at its high point by this time and the lights of the Mont reflecting on the water.  What a glorious sight! Contemplating my afternoon and night, I felt blessed and grateful for having taken that five-thousand-mile leap of faith putting me on the distant shore that day. Being alone allowed me the unscheduled time to linger and follow my interest. If I had waited to go or been with somebody who wasn’t willing to stay to let the moments unfold watching the light change, I would have missed out on the events that October afternoon. I never would have come to the conclusion that the Mont-Saint-Michel is a beautiful subject in all lighting.

Cheers,

Susan

 

What Luck!

Do you know that feeling of joy mixed with luck when you drop the lid to something on the floor and it lands messy side up? Photography can produce that response too. Lately, an osprey is the source of those emotions for me. First time I spotted it was a few months back, while on a bike ride, on the beach path. Approaching the pier where I turn around to head back, I noticed a hulk on top of a light pole. It seemed larger than a seagull and piqued my inner birder.

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I approached the pier and stumbled upon a lifeguard talking with a group, who seemed as interested as I, about the bird. In this makeshift class I learned the bird in question was an osprey (also known as a sea hawk by the way). The lifeguard also mentioned seeing it fishing at times from his vantage point of the tower on the pier. The prospect of this natural phenomenon occurring right on these shores, in this city, in front of my eyes was thrilling. I watched it for a while, but it didn’t go fishing that day. I was regretting my decision to leave my DSLR at home but thinking of the mantra I have heard uttered so many times – the best camera is the one you have with you – I pulled out my phone to capture this sighting.

Fast forward a few months, same ride, with my DSLR this time. I see the same sized hulk on the pole again. Could it be? Yes, it is! An osprey!

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Marveling at my luck at finding the osprey while having my bigger camera in tow, I wait and watch the bird as intently as the bird focuses on the water.

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Suddenly it swoops from its perch and dives towards the surf.

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Jackpot! It arose with a fish in its talons. My luck at being on that pier for that exact moment elicits awe and giddiness. If only the osprey could know its impact by simply going about its daily life.

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It flew out of sight, continuing on past oblivious surfers.

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The next week, same ride, carrying DSLR with a bigger zoom lens this time, I spot it. The osprey is back again!

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It is a sunny day this time and the light coupled with the zoom lens provided the opportunity to capture more details in the eyes and feathers. I think it spotted me.

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The osprey’s presence brings people together in unexpected and pleasant ways. Seems as though pointing your camera towards the sky grabs the attention of others. Many have taken to asking questions and we end up swapping stories of our neighborhood birds. This day, it hung around for a bit staring at the water and preening before flying off into the distance swooping towards the water without catching anything.

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Sometimes we get caught up in our routines; returning to the same locations doing the same things, and there is comfort in that, but it can also feel monotonous. If we take time for awareness, we might notice that even the same places are different from day to day: the lighting, the people, the animals are some of the elements that combine and interact to create a freshness. If you keep an eye out, inspiration can strike at any moment. You may be lucky enough to be at the right place at the right time, or maybe you always were and just didn’t notice it.

Sending thoughts and prayers to all impacted by the wildfires in California and gratitude  for the firefighters and first responders.

Stay safe,

Susan

 

Love Locked Up

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Love lock on London’s Millennium Footbridge

Love can drive people to do crazy things. This seems to be the same the world over. The similarities among different peoples often takes me by surprise. Wandering the streets of a city, ready for discovery, is one of my favorite ways for unravelling a place. So, upon noticing locks bearing names and dates on bridges and chains around many towns; my interest was piqued, which translates to a click of the shutter.

Love locks on bridges, and just about anywhere a lock can be affixed, is a phenomenon spreading across the world. This expression of love involves affixing a lock, usually with the couple’s name and a date on it, to a structure and throwing away the key. Therefore locking one’s love in place for eternity. A romantic sentiment, indeed!

Paris was the location of my first encounter, on the Pont des Arts bridge. Click!

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Back in 2008, the pedestrian bridge was just beginning to see the effects of the love spreading. Click! In for a closer look …

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The practice became so prolific the bridge was becoming compromised by the excess weight and the locks were removed in 2015 and replaced with Plexiglass panels. In 2017, Parisians came up with a clever use for the removed locks. They auctioned off some of the lock clusters using the proceeds to benefit migrant charities, which you can read more about in this article.

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Love locks can still be found in Paris, however. Click!

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Couples have gotten creative in expressing and immortalizing their love throughout the city.

 

Finding all sorts of places to lock their love for all time. Click, click!

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Even locks upon locks.

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The phenomenon isn’t unique to Paris. It is spreading around the world, to the dismay of some. Many cities have made an effort to discourage the practice due to the negative effect on the structures. I witnessed the spread while in London and Aguas Calientes, Peru.

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Aguas Calientes, Peru

It has even spread to a bridge in my hometown. I think crazy or not this love thing isn’t going away any time soon.

Love ya~

Susan

 

 

 

Come out, come out, wherever you are!

By Susan Greene
Finding your artistic voice, what does that mean? Is it anything like locating your misplaced keys or the missing sock in a pair? Maybe, a little bit, in the sense that it is there and just needs to be discovered. There is much written on the subject and even courses offered to assist people with finding their photographic voices. This month’s literary term of exploration is voice/sound.

breaking waveMost know what a wave sounds like and maybe seeing a photo of one conjures up the sound of it crashing in your mind. Some are gentler and quieter.

susnet wheelie rider on shore Others are big and powerful,

large breaking wave, redondo beach CAcrashing,

breaking wave, surfer and photographers, redondo beach CA with a loud boom.

large crashing wave, redondo beach CA Can a photo convey sound?  This month try to imagine what a scene sounded like when you contemplate photos. As for finding that artistic voice, it might be quieter and gentler thus requiring some introspection. Artistic voice is your unique story to tell how you wish, no matter the medium, you choose the style.  For a photographic voice, look to the photographers that inspire you and the things you are inspired to photograph.

I’ll be looking at the beach!

~ Susan

How Shallow is your Field?

angel tree topperThe halls are being decked, the tannenbaum’s lovely branches are becoming adorned with lights, beads and ornaments and the spicy aroma of molasses crinkles cookies baking in the oven is filling the house. The perfect time to grab the camera and capture some of the details. This week we are exploring shallow depth of field.  A shallow depth of field will be achieved by using a large aperture which is represented by the smaller f-stop numbers. Using an 85mm f/1.8 lens and opening the aperture to its widest or almost widest, is my method of focusing on a specific area or item in a scene.

_MG_2653With the aperture open to f/2.8 I can focus solely on the mug and blur the books or…

_MG_2655focus on a portion of the books only and everything else will blur. If you want to isolate your subject from the other elements in the photo this is an excellent method. Shutting down the aperture to f/8 will allow you to achieve focus in most of your scene.

_MG_2659At f/1.8, the focus is on the top book and cider inside the mug;_MG_2662 at f/7.1, all the items on the tabletop are in focus.

_MG_2661  A shallower depth of field can be used to isolate ornaments on the tree.

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_MG_2668Also, using a large aperture enables focusing on one item in a group.

_MG_2671Which depth of field is used is based on what you are trying to communicate in your photo. With people gathering to celebrate at this time of year, there are many opportunities for experimenting.

~ Susan

Searching the Depths

“I can’t believe it’s December! Where has the year gone?” These phrases are uttered often at this time of year.  Personally, I can’t believe we have arrived at our last month of focusing on a photographic term. It seems like only last week we were compiling the list, challenging ourselves to concentrate on one subject a month. Wrapping up this photographic term-of-the-month year will be a closer look into depth of field.

Depth of field refers to the range of distance in an image where objects appear acceptably sharp. Sometimes, a photographer chooses to keep most of an image sharp which is known as deep depth of field. Other times, just a small part of the photo is kept sharp, thus emphasizing the subject by separating it from the background and foreground by making them blurry or indistinct, this is known as shallow depth of field.

DSC_0244One of the main methods of controlling the depth of field is the aperture. The aperture is the opening in the lens which lets light in and can be adjusted, becoming larger or smaller. The larger the aperture, represented by a smaller f-stop number, the shallower the depth of field. This week I am contemplating deeply. Deep depth of field is achieved by using a smaller aperture, a larger f-stop number. The f-stop for the photo above of Griffith Park Observatory on the hill was f/8. In the next photo, the f-stop was 13.

_MG_9157The kite surfers are at varying distances from me yet they are all reasonably sharp.

_MG_8802An f-stop of 16 enables the water’s surface to be sharp in the photo above.

It can be beneficial to occasionally sit back, entertain deep thoughts about what you are trying to communicate with your photos and whether the use of a deep or shallow depth of field could be one of the methods of accomplishing your goal.

This week will find me out in the field,

~ Susan

Hey There, Man in the Moon!

Wrapping up this month’s shadow exploration prompted me to turn my camera towards the moon. I have always had a fascination with the moon, maybe it comes from growing up during the Apollo space program and watching the astronauts bouncing around on its surface or liking the idea of a “man in the moon” watching over us and keeping us safe at night. Whatever it was, I have been admiring and photographing it for years.  _MG_2264

The moon is continuously lit by the sun on one side. We see changes in the size of the illuminated part due to our location in relation to the moon at different times during the month. The lit portion is most easily observable, the rest remains shadowed. However, the shadowy bit is often faintly visible – not when it makes a daytime appearance though.

_MG_2486During a full moon, is the optimal time for examining the shadows of the surface and searching for the face of the “man.”

_MG_2447Occasionally, the moon,earth and sun line up in such a way that the moon passes into the earth’s shadow creating an eclipse. On February 20, 2008, there was a total lunar eclipse. Seeing the earth’s shadow slowly makes its way across the moon thrills me.

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IMG_1928Photographing the moon can be tricky, since it is a very bright object against a very dark background. First of all, a tripod is highly recommended along with a remote release, or using the self-timer on your camera will work if you don’t have a remote. A low ISO, 100 or 200, and smaller aperture, f16 or greater, are recommended for capturing the details of the surface. The shutter speed is what you will adjust for a proper exposure, a slower shutter speed will inevitably be necessary, explaining the need for the tripod. It helps to use a long telephoto lens. The moon is relatively small in the big sky and using a telephoto lens will bring it closer to fill your frame, 300mm lens or longer is recommended. Use the spot meter on your camera to obtain the correct exposure for the moon. Sometimes, you may have to improvise. Recently while riding in a car I spotted a moon shot I wanted to take but with no tripod I adjusted the ISO higher and aperture wider.

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Adding elements to your image along with the moon can add interest and a sense of place.

Looking to the sky and hoping to see the man in the moon.

~ Susan

Shadow Play

This month, we are turning to the dark side, shadows that is. We will explore shadows’ effect on your photography; either as a subject or using them to create mystery, add texture and highlight forms. Using a shadow as a subject, can add interest and mix things up a bit in your photography. Tennis season is winding down and I have been photographing the girls in action quite a bit. I noticed the position of the late afternoon sun during the matches causing long shadows to be cast from the players.

_MG_2075-2It creates something different from the usual tennis action shot. Here is study of a serve in shadows. First the toss,

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next, the swing,

_MG_0983and finally, the follow through.

_MG_0984Part of the original subject can be included in your photo,

tennis player shadow

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or both the original subject and the shadow.

_MG_1206The shadow selfie is one unique way to capture a special time.

shadows on beachAll month, I will be singing “Me and My Shadow”, the children’s version. In case you haven’t heard it before, you can click here.

Keeping an eye on the shadows,

~ Susan

the close-up color

_MG_1953Inspired by a photo accompanying a book excerpt in Shutterbug magazine, I looked at a collection of mine differently. This spurred the realization of the potential for color exploration and abstraction. Pastels and earth tones are the most prevalent colors of my array.

_MG_1993I have gathered these from both near and far.

_MG_1964I am looking at this collection in a whole new light.

_MG_1986The interplay of the shapes and colors is something I am just discovering about my array.

_MG_1966I like this mystery game.

_MG_2045I am especially drawn to the pastel pink and flesh tones in the one above, as well as the vibrant hues of this one.

_MG_2037Whereas, the earth tones of this one are not to be downplayed.

_MG_1968If you haven’t guessed yet, these next few photos will probably give away the items in my collection.

_MG_1955Did you guess yet?

_MG_2024Last chance.

_MG_1937You probably got it by now . . . sea shells!

I confess to being a long time beachcomber. My collection adorns many of the window sills in my home. Gazing upon them transports me to the various shores where, while strolling, they were spotted, picked up and lovingly chosen for various reasons – their flawlessness, uniqueness or color. I will always remember once, many years ago, coming home and sharing the day’s treasures of the sea with my mom by placing them in her hand, and the shriek she let out when one of them began moving across her palm – I had inadvertently collected a crab’s home – sorry mom and crab: I did return it to the sea.

I have gotten more careful and choosy over the the years but still enjoy a long afternoon strolling the sand with an eye out for a new addition to my collection. Now, I have another criteria for selection – as the possible subject of a color, abstract photo.

The book excerpted in Shutterbug magazine is The New Art of Photographing Nature: An Updated Guide to Composing Stunning Images of Animals, Nature and Landscapes by Art Wolfe and Martha Hill with Tim Grey. Judging from the pictures accompanying the article, I would like to see what these three have to say.

This week either gazing at my window sill or out looking for new treasures.

~ Susan

accent on the color

Fall has arrived and for this backyard sister that means cooler nights, girls’ tennis season, butternut squash and pears in the market, colorful leaves, yes, here too,  and our California native fuchsias blooming in the garden. This month we will be investigating some of the many ways to accent colors in your photos and maybe even your life. First, back to the garden and those fuchsias. They are a bright red and attract many hummingbirds and I have spent many minutes sitting by them taking pleasure in their brilliance. I snapped this shot early one morning.

_MG_0256 originalWith this month’s theme in mind, I wanted to highlight the red as much as possible. To achieve this effect or something similar, in photoshop, select a new hue/saturation adjustment layer and take down the saturation of all the colors individually, except red, to -100.

California native fuschiaI then turned to some late season tomatoes sitting on the patio table.

_MG_0928First, I used the same technique of adding the new layer and de-saturating all the colors except red.

_MG_0928 desaturatedAs you can see, there is some red on one of the front tomatoes still, which I like, but to try another method, I decided to use the selection tool and select just one tomato to remain  red.

_MG_0928-2 color accentThis look, although a bit of a cliché, I still find fun to play around with. Frequently in fall, here in southern California, we will have unusually big surf for a couple of days due to storms out in the Pacific. I selected a photo of the Manhattan Beach Pier during a previous fall big surf day to experiment more with color.

IMG_1376 I decided to try highlighting the red in the picture using the hue/ saturation adjustment layer again. This method is not as precise as the selection tool method but works great if you have many areas of color you wish to highlight.

IMG_1376 desaturateNext, I chose to highlight the hues of the water and blues on the pier.

desaturate MB pierTo achieve this effect, I de-saturated all the colors except cyan which I boosted to +40.

A boogie boarder became my next subject. His board with its red outline was a natural.

IMG_9655Notice the seaweed and his skin still retain some of their color using the adjustment layer method but I like that effect. Then he catches a wave.

IMG_9693The last photo I tried manipulating is from the Park Güell in Barcelona.

IMG_4422.JPGThese children caught my attention because of their red attire standing out against the crushed granite. To enhance the effect, first, I used the hue/saturation layer approach.

IMG_4422.JPG desaturatedThis is a subtle effect with this photo. There must be a lot of red tones in the other colors. I decided to select the children, invert the selection, and then add a hue/saturation adjustment layer and slide the master color to -100.

children running color accentAdding color to a black and white photo will highlight the colorful subject and draw the viewer’s eyes immediately to it. Now that fall is here in all its colorful glory, take some time to see the colors in your world.

~ Susan