What Luck!

Do you know that feeling of joy mixed with luck when you drop the lid to something on the floor and it lands messy side up? Photography can produce that response too. Lately, an osprey is the source of those emotions for me. First time I spotted it was a few months back, while on a bike ride, on the beach path. Approaching the pier where I turn around to head back, I noticed a hulk on top of a light pole. It seemed larger than a seagull and piqued my inner birder.

IMG_4019

I approached the pier and stumbled upon a lifeguard talking with a group, who seemed as interested as I, about the bird. In this makeshift class I learned the bird in question was an osprey (also known as a sea hawk by the way). The lifeguard also mentioned seeing it fishing at times from his vantage point of the tower on the pier. The prospect of this natural phenomenon occurring right on these shores, in this city, in front of my eyes was thrilling. I watched it for a while, but it didn’t go fishing that day. I was regretting my decision to leave my DSLR at home but thinking of the mantra I have heard uttered so many times – the best camera is the one you have with you – I pulled out my phone to capture this sighting.

Fast forward a few months, same ride, with my DSLR this time. I see the same sized hulk on the pole again. Could it be? Yes, it is! An osprey!

5U5A6096

Marveling at my luck at finding the osprey while having my bigger camera in tow, I wait and watch the bird as intently as the bird focuses on the water.

5U5A6126

Suddenly it swoops from its perch and dives towards the surf.

5U5A6144

Jackpot! It arose with a fish in its talons. My luck at being on that pier for that exact moment elicits awe and giddiness. If only the osprey could know its impact by simply going about its daily life.

5U5A6149

It flew out of sight, continuing on past oblivious surfers.

5U5A6153

The next week, same ride, carrying DSLR with a bigger zoom lens this time, I spot it. The osprey is back again!

5U5A6258

It is a sunny day this time and the light coupled with the zoom lens provided the opportunity to capture more details in the eyes and feathers. I think it spotted me.

5U5A6257-2

The osprey’s presence brings people together in unexpected and pleasant ways. Seems as though pointing your camera towards the sky grabs the attention of others. Many have taken to asking questions and we end up swapping stories of our neighborhood birds. This day, it hung around for a bit staring at the water and preening before flying off into the distance swooping towards the water without catching anything.

5U5A6288

Sometimes we get caught up in our routines; returning to the same locations doing the same things, and there is comfort in that, but it can also feel monotonous. If we take time for awareness, we might notice that even the same places are different from day to day: the lighting, the people, the animals are some of the elements that combine and interact to create a freshness. If you keep an eye out, inspiration can strike at any moment. You may be lucky enough to be at the right place at the right time, or maybe you always were and just didn’t notice it.

Sending thoughts and prayers to all impacted by the wildfires in California and gratitude  for the firefighters and first responders.

Stay safe,

Susan

 

Love Locked Up

5U5A5481

Love lock on London’s Millennium Footbridge

Love can drive people to do crazy things. This seems to be the same the world over. The similarities among different peoples often takes me by surprise. Wandering the streets of a city, ready for discovery, is one of my favorite ways for unravelling a place. So, upon noticing locks bearing names and dates on bridges and chains around many towns; my interest was piqued, which translates to a click of the shutter.

Love locks on bridges, and just about anywhere a lock can be affixed, is a phenomenon spreading across the world. This expression of love involves affixing a lock, usually with the couple’s name and a date on it, to a structure and throwing away the key. Therefore locking one’s love in place for eternity. A romantic sentiment, indeed!

Paris was the location of my first encounter, on the Pont des Arts bridge. Click!

IMG_8973

Back in 2008, the pedestrian bridge was just beginning to see the effects of the love spreading. Click! In for a closer look …

IMG_8978

The practice became so prolific the bridge was becoming compromised by the excess weight and the locks were removed in 2015 and replaced with Plexiglass panels. In 2017, Parisians came up with a clever use for the removed locks. They auctioned off some of the lock clusters using the proceeds to benefit migrant charities, which you can read more about in this article.

5U5A3612-Edit

Love locks can still be found in Paris, however. Click!

5U5A3505

Couples have gotten creative in expressing and immortalizing their love throughout the city.

 

Finding all sorts of places to lock their love for all time. Click, click!

5U5A3504

Even locks upon locks.

5U5A3553

The phenomenon isn’t unique to Paris. It is spreading around the world, to the dismay of some. Many cities have made an effort to discourage the practice due to the negative effect on the structures. I witnessed the spread while in London and Aguas Calientes, Peru.

5U5A2333

Aguas Calientes, Peru

It has even spread to a bridge in my hometown. I think crazy or not this love thing isn’t going away any time soon.

Love ya~

Susan

 

 

 

Come out, come out, wherever you are!

By Susan Greene
Finding your artistic voice, what does that mean? Is it anything like locating your misplaced keys or the missing sock in a pair? Maybe, a little bit, in the sense that it is there and just needs to be discovered. There is much written on the subject and even courses offered to assist people with finding their photographic voices. This month’s literary term of exploration is voice/sound.

breaking waveMost know what a wave sounds like and maybe seeing a photo of one conjures up the sound of it crashing in your mind. Some are gentler and quieter.

susnet wheelie rider on shore Others are big and powerful,

large breaking wave, redondo beach CAcrashing,

breaking wave, surfer and photographers, redondo beach CA with a loud boom.

large crashing wave, redondo beach CA Can a photo convey sound?  This month try to imagine what a scene sounded like when you contemplate photos. As for finding that artistic voice, it might be quieter and gentler thus requiring some introspection. Artistic voice is your unique story to tell how you wish, no matter the medium, you choose the style.  For a photographic voice, look to the photographers that inspire you and the things you are inspired to photograph.

I’ll be looking at the beach!

~ Susan

Food Photography and Depth of Field

Photographing food and sharing meals and recipes through pictures has taken off over the last few years. Depth of field, is something to consider when composing your food shots. Do you want a whole plate of food and surrounding dishes in focus or just one item on the plate, or a bite? The answer will be your guide to choosing the aperture value.

pineapple, orange, apple and persimmon

F/16

pineapple, orange, apple and persimmon

F/3.2

When the food is on the same focal plane the choice isn’t as critical, as is exhibited in the two examples above. But change your angle of view a bit, creating more distance between you and the items being photographed, and there is a marked difference.

pineapple, orange, apple and persimmon

F/16

pineapple, orange, apple and persimmon

F/3.2

As you can see, the second photo taken at a wider aperture has a smaller area of focus, the pineapple, and the other fruit is out of focus. Using the wider aperture puts the emphasis on the pineapple rather than the entire grouping of fruit.

Use a wider aperture when the goal is focusing on a specific area in a photo.

pineapple, orange, apple and persimmon

F/2.2

At f/2.2 the orange can be singled out for highlighting or the apple.

pineapple, orange, apple and persimmon

F/2.2

To achieve focus throughout, a smaller aperture is best.

pineapple, orange, apple and persimmon

F/16

The greater distance between the items being photographed, the more exaggerated the effect will be.

pineapple, orange, apple and persimmon

F/11

At f/11, most of the food is in focus whereas at f/2.8, the pineapple surface is the focal point and the rest of the fruit fades out of focus.

pineapple, orange, apple and persimmon

F/2.8

   Taking an overhead shot puts the food on an even field,

pineapple, orange, apple and persimmon


F/13

except when the food is differing heights, as with these pieces of fruit. If achieving focus throughout is your desire, use a smaller aperture. With an aperture of f/13 most of the food is in focus as well as the pineapple top, the tallest item.

In photography, the settings you choose will help you realize your artistic vision; with food photography, there’s nothing like a little playing with your food for honing that vision.

Lots of good food for playing with at this time of year!

~ Susan

How Shallow is your Field?

angel tree topperThe halls are being decked, the tannenbaum’s lovely branches are becoming adorned with lights, beads and ornaments and the spicy aroma of molasses crinkles cookies baking in the oven is filling the house. The perfect time to grab the camera and capture some of the details. This week we are exploring shallow depth of field.  A shallow depth of field will be achieved by using a large aperture which is represented by the smaller f-stop numbers. Using an 85mm f/1.8 lens and opening the aperture to its widest or almost widest, is my method of focusing on a specific area or item in a scene.

_MG_2653With the aperture open to f/2.8 I can focus solely on the mug and blur the books or…

_MG_2655focus on a portion of the books only and everything else will blur. If you want to isolate your subject from the other elements in the photo this is an excellent method. Shutting down the aperture to f/8 will allow you to achieve focus in most of your scene.

_MG_2659At f/1.8, the focus is on the top book and cider inside the mug;_MG_2662 at f/7.1, all the items on the tabletop are in focus.

_MG_2661  A shallower depth of field can be used to isolate ornaments on the tree.

_MG_2666

_MG_2668Also, using a large aperture enables focusing on one item in a group.

_MG_2671Which depth of field is used is based on what you are trying to communicate in your photo. With people gathering to celebrate at this time of year, there are many opportunities for experimenting.

~ Susan

Searching the Depths

“I can’t believe it’s December! Where has the year gone?” These phrases are uttered often at this time of year.  Personally, I can’t believe we have arrived at our last month of focusing on a photographic term. It seems like only last week we were compiling the list, challenging ourselves to concentrate on one subject a month. Wrapping up this photographic term-of-the-month year will be a closer look into depth of field.

Depth of field refers to the range of distance in an image where objects appear acceptably sharp. Sometimes, a photographer chooses to keep most of an image sharp which is known as deep depth of field. Other times, just a small part of the photo is kept sharp, thus emphasizing the subject by separating it from the background and foreground by making them blurry or indistinct, this is known as shallow depth of field.

DSC_0244One of the main methods of controlling the depth of field is the aperture. The aperture is the opening in the lens which lets light in and can be adjusted, becoming larger or smaller. The larger the aperture, represented by a smaller f-stop number, the shallower the depth of field. This week I am contemplating deeply. Deep depth of field is achieved by using a smaller aperture, a larger f-stop number. The f-stop for the photo above of Griffith Park Observatory on the hill was f/8. In the next photo, the f-stop was 13.

_MG_9157The kite surfers are at varying distances from me yet they are all reasonably sharp.

_MG_8802An f-stop of 16 enables the water’s surface to be sharp in the photo above.

It can be beneficial to occasionally sit back, entertain deep thoughts about what you are trying to communicate with your photos and whether the use of a deep or shallow depth of field could be one of the methods of accomplishing your goal.

This week will find me out in the field,

~ Susan

Hey There, Man in the Moon!

Wrapping up this month’s shadow exploration prompted me to turn my camera towards the moon. I have always had a fascination with the moon, maybe it comes from growing up during the Apollo space program and watching the astronauts bouncing around on its surface or liking the idea of a “man in the moon” watching over us and keeping us safe at night. Whatever it was, I have been admiring and photographing it for years.  _MG_2264

The moon is continuously lit by the sun on one side. We see changes in the size of the illuminated part due to our location in relation to the moon at different times during the month. The lit portion is most easily observable, the rest remains shadowed. However, the shadowy bit is often faintly visible – not when it makes a daytime appearance though.

_MG_2486During a full moon, is the optimal time for examining the shadows of the surface and searching for the face of the “man.”

_MG_2447Occasionally, the moon,earth and sun line up in such a way that the moon passes into the earth’s shadow creating an eclipse. On February 20, 2008, there was a total lunar eclipse. Seeing the earth’s shadow slowly makes its way across the moon thrills me.

IMG_1910

IMG_1928Photographing the moon can be tricky, since it is a very bright object against a very dark background. First of all, a tripod is highly recommended along with a remote release, or using the self-timer on your camera will work if you don’t have a remote. A low ISO, 100 or 200, and smaller aperture, f16 or greater, are recommended for capturing the details of the surface. The shutter speed is what you will adjust for a proper exposure, a slower shutter speed will inevitably be necessary, explaining the need for the tripod. It helps to use a long telephoto lens. The moon is relatively small in the big sky and using a telephoto lens will bring it closer to fill your frame, 300mm lens or longer is recommended. Use the spot meter on your camera to obtain the correct exposure for the moon. Sometimes, you may have to improvise. Recently while riding in a car I spotted a moon shot I wanted to take but with no tripod I adjusted the ISO higher and aperture wider.

_MG_2265

Adding elements to your image along with the moon can add interest and a sense of place.

Looking to the sky and hoping to see the man in the moon.

~ Susan