Chasing Light

What do you do if you want to go somewhere and your family and friends don’t or can’t get away when you can? Deciding to explore the world on your own can be a daunting prospect. Thoughts of the drawbacks may cycle through your mind: having no one to rely on should problems arise, planning the trip all on your own, being a target because you are solo, table for one most of the time, or the possibility of being lonely.  The perks of doing what you want, when you want, wherever you want look attractive but will it be right for you? It takes a leap of faith to take on the challenge. As with most things — you don’t know what you don’t know. With a “you won’t know until you try it” attitude, I took that leap of faith to France a couple of years ago and in the process learned a lot. Among many memorable experiences, a long afternoon and evening taking in the changing light of Mont Saint-Michel stands out.

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At first sight, the Mont is an impressive and awe-inducing structure. Its size dwarfing the people and vehicles on the bridge. This area is known for extreme tidal fluctuations and upon my arrival the tide was out and the light muted from the gray sky.

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Boats become stranded and people walk in the silty sand, with caution, during low tides.

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I walked up to the Mont on the bridge, explored the town and toured the Abbey taking my time admiring and capturing the almost 360-degree view from the top.

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As the afternoon became evening, the sky, filled with billowy clouds, was ever-changing. The golden hour had begun. Different times of day bring a change in light to subjects. At sunrise and sunset the sun is near the horizon which creates a golden hue and casts long shadows. The hour or so leading up to and right after sunrise and sunset the light changes hue quickly: from deep blue to pink to gold in the morning and the reverse in the evening.

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The late afternoon sun added a beautiful golden tone to the walls.

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The surrounding countryside isn’t immune to the sun’s rays.

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Lost in the color changing cloud shifting metamorphosis in the sky, I suddenly became aware of the sound of rushing water: the tide, on its return, surging towards the land. Within about a half an hour, the boats are once again afloat as the gold turns to pink.

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The speed of the incoming tide creates waves.

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Captivated by this tidal phenomenon, I hadn’t noticed the darkening sky until a drop of water hit my cheek pulling my attention back to the sky. First one, then another and another and suddenly I am in the middle of a rainstorm. Luckily, I came prepared and pulled out my umbrella allowing more time enjoying the demonstration of mother nature’s extremes. During the rain, the lights on the Mont were lit, illuminating the walls.

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Slowly the golden hour/pink moment gave way to the blue hour.

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I left to grab some dinner and afterwards went back to get the full nighttime experience.

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The tide was at its high point by this time and the lights of the Mont reflecting on the water.  What a glorious sight! Contemplating my afternoon and night, I felt blessed and grateful for having taken that five-thousand-mile leap of faith putting me on the distant shore that day. Being alone allowed me the unscheduled time to linger and follow my interest. If I had waited to go or been with somebody who wasn’t willing to stay to let the moments unfold watching the light change, I would have missed out on the events that October afternoon. I never would have come to the conclusion that the Mont-Saint-Michel is a beautiful subject in all lighting.

Cheers,

Susan

 

Low Light, High ISO

Traveling, for me, involves evening and night time strolls around cities and visits to museums and cathedrals. All these have one thing in common, the available light is very low. When strolling after dinner and exploring a city, I don’t usually want to carry a tripod and prefer the natural light as opposed to using a flash. So, turning the ISO up helps me get the shot. After arriving late one evening in Oklahoma City, I went straight to the Memorial and arrived as the sun was setting. As night fell and the lights turned on, I turned my ISO up to 1600 and tried to do justice to the solemnity of the location.

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Walking around the city of Paris one night I pulled out my camera and set my ISO to 800 and snapped this image.

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A night time stroll about Rome lead to this famous fountain and it’s night time appearance. I used an ISO 800 here so I could use a slower shutter speed and let the flowing water blur.

trevi fountain iso This fountain is no less popular at night.

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Many museums and cathedrals don’t allow flash photography. At the Centre Pompidou, I turned the ISO up to 1600 which allowed for a shutter speed of 1/60 with an f4 to capture this intriguing work of art.

centre de pompidou isoThe Art Institute of Chicago is the home of many works of art and  I was able to view one of my favorites, Paris Street; Rainy Day by Gustave Caillebotte. Seeing this up close and personal meant I couldn’t pass up the opportunity to capture it. ISO set to 800 for this one; you may find that the lighting in a museum allows a little lower ISO setting to be used.

art institute iso The Museo dell’Opera del Duomo Is the location of the Florence Pietà and after having just seen the St Peter’s Pietà I wanted to see this version, the ISO set to 1600.

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In Europe, the cathedrals are just as full of art work as the museums and flash photography is often frowned upon or not allowed.

The statue of the Madonna and Child, in the Basilica di Santa Maria Maggiore, captured my attention by their outstretched hands and the way they seem to be welcoming and greeting so peacefully.

madonna and child isoRemember to look up in cathedrals for the ceilings are usually very impressive also.

St Peter's ceiling isoThis ceiling from St Peter’s Basilica with the shaft of light shining down is an example of the details given to every inch of space.

Newer cameras’ ISO capabilities have grown tremendously. My Canon 5D original version high end ISO is 1600 expandable to 3200. Last holiday season, I had the chance to use a Canon Rebel T4i with a high end ISO capability of 12,800 which is expandable to 25,800. I took it out in to my neighborhood and shot some Christmas lights hand held and was very impressed with the quality of the results.

Christmas lights isoUsually, I need a tripod when shooting the Christmas lights in my neighborhood but here I used ISO 10,000 and was able to capture this scene.

Sometimes, a high ISO is necessary to get a low light shot.

Try turning off that flash and raising your ISO and see what you think.

~ Susan

 

night lights

June has arrived and with it comes warmer weather, longer days and temperate nights. One of the many bonuses of longer days is more time for outside photography. We are exploring light this month. Light is the most important element in photography. Without it all photos would be pure black. I am beginning with an exploration of the lights at night.

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Anticipation growing during the quiet before the show got started at the Fanfare fountain at the Gateway in San Pedro, CA.

night light5The fountains are choreographed to songs as if the water is dancing.

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night light8When photographing lights, I like to expose for the light and create a silhouette of foreground subjects.

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Seeing the water moving in time to the music is magical. To capture it, I chose 1600 ISO,   set the f-stop at 4 and varied the shutter speed depending on whether I was going to freeze the water,

night light2or let it blur. Getting swept up in the music and water motion and breaking into your own dance is not uncommon.

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Sometimes, it can be hard to resist touching the water.

night light4A tripod is a good idea when photographing in low light situations to avoid blur from camera movement. If you don’t have one with you, placing your camera on a solid surface is an alternative (keeping your camera away from the water, of course!)

Cheers.

~ Susan

 

 

night moves

As I prepare for a visit to Chicago, I recall a previous trip and the street performer with the most unique act. While strolling down Michigan Ave. one night, we encountered this fellow and his one man show. I was glad that I had my camera with the 85mm – F/1.8 lens attached.

He attributed his flexibility to the practicing of yoga. He does seem to be in a zone.  I think if I practiced yoga every day for three hours I would never be able to fit in that box. I would, however, be stronger and more flexible with just one hour. Here’s to the power of yoga!

~ Sue

The Super Moon

This week I was on a quest to capture the super moon Saturday night. It was the closest it will be to earth this year and full at the same time. I started on the top of a parking structure which overlooks the city of Los Angeles and arrived at dusk just in time to witness the rising.

Then I zoomed in . . .

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Later in the night when I was in my own backyard, I turned my eyes towards the sky and captured the moon alone.

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Photographing at night is challenging and fun.