The Weekend Dish-Apple Butter

Apples It began years ago; so many I don’t know the exact number. Nana, Granddad, this backyard sister and her youngest backyard girl gathering on a day in the fall to make apple butter.

After the apples have been purchased and cleaned, and the peeler/corer/slicers and jars, have been dug out of storage, we are ready to get to work.

Those peeler/corer/slicers are nifty little gadgets and save a lot of time. When all peeled,cored and sliced the apples are placed on the stove to cook.

apples cooking on stove Once they are soft enough, everyone’s favorite part begins: whirring with the hand-held blender.

Sometimes it is a solitary task, and other times a helping hand is lent.

Or, a little moral support . . .

The spices are adjusted after the first taste test.

When it’s just right, it is placed in jars and the backyard girl gets a little treat.

The backyard girl, with her excellent penmanship, always gets the job of labeling.

The day yields some delicious apple butter to be shared and enjoyed for the next few weeks, and also a fantastic bonus for this backyard sister and her daughter of time well spent catching up, reminiscing, telling tales, laughing, listening to music and dancing. We are grateful Nana and Granddad are so generous with their time and kitchen skills (utensils too!) and I, for one, always come away with not only a treasure trove of jars filled with yummy apple butter but also the precious gems of new, fond memories made from the stories told and delights of watching granddaughter and grandparents sharing with each other. That just doesn’t happen every day; but it will tomorrow. Oh, and I also come away with lots of fun photos.

Here’s the recipe in case you would like to try it and see what develops . . .

NANA’S APPLE BUTTER RECIPE

Note: This recipe is adjustable for desired quantity and flavor. Any type of apple may be used. We choose a mix of tart and sweet. Canning jars are available at most supermarkets. They need only a thorough washing and drying before use in this refrigerated canning method.

We use two pans of eight quarts each.

16 lbs. apples, peeled and cored, divided equally in the pans.

5 lbs.  Granny Smith

5 lbs.  Fuji

6 lbs.  Honey Crisp

Into each pan mix in:

3 level Tbs. Cinnamon

¾ tsp. ground cloves

1 1/4 cups of sugar

1 1/4 cups of Simply Apple brand apple juice.

Simmer each pan on stove covered for about 1 hour, stirring occasionally. Taste as you go. Adjust spices to your taste. When apples become soft mash them with a potato masher, a wand mixer or whatever tool you have to smooth them to an apple butter consistency.

Yield: 14 large (16 oz.) jars.

Refrigerate after cooling.

~ Sue

The Weekend Dish – Promenade Pasta

What’s the best compliment you ever got in the kitchen?

One night J sat at the kitchen table watching me try to invent a pasta dish from the random pickings of a quick farmer’s market trip.  When I’m in creation mode he knows better than to ask how he can help, but he stays nearby in case I forget he’s home and starving.  I figured he must be wondering what he’d gotten himself into, marrying this oddball who doesn’t cook like normal people do by reading from a cookbook or recipe box.

My process is more, hmmm, shall we say, kinetic?  I open the pantry door, retrieve ingredients, stare, return a bag of dried cherries in exchange for a tin of pine nuts. Maybe my hand swirls in the air as I waft imaginary aromas toward my nose. I close my eyes and air chew, trying to imagine exactly what I want. I twirl to the refrigerator for a lemon maybe, or a vegetable. My hip bumps the fridge door closed as I pivot to the island countertop, hands full of spinach.

“You cook like you’re dancing,” he said and I melted. I pulled him up off the chair for a quick waltz around the table before returning to the skillet heating up on the stove.

I was pretty happy with how that night turned out, yes for the dancing, but also for the pasta.

The surprise of the dish is squash blossoms.

I’ve eaten squash blossoms in salads where I find them beautiful, but a little out of place. Squash blossoms overpower gentle lettuces like butter and get lost in hearty greens like kale.  But heat these babies up – and yes technically the stork doesn’t bring zucchini to your garden, it begins life as a seed and then a squash blossom – and something symphonic happens, sort of like how the drudgery of an ordinary weekday meal prep can turn into a kitchen waltz.

I call this dish Promenade Penne with a nod toward how the pasta pot and squash blossom skillet waltz together toward the grand finale of a meal culled from a stroll through the farmer’s market. Also, there’s a little sweet kiss of honey in it, and all good proms end with a kiss.

Promenade Penne
INGREDIENTS:
3 large sweet potatoes
One bunch fresh squash blossoms
olive oil
3 T pine nuts
3 T honey
1 lb. penne
4 C washed baby spinach leaves
Freshly ground parmesan and fresh ground pepper to taste

– Peel sweet potatoes and slice into 1/2 inch circles.
– Heat a large skillet over medium-high flame.  Add enough olive oil to coat skillet.  Let it warm up, then sauté pototoes until slightly browned and soft. Stir now and then to prevent burning.
– Meanwhile, in a separate pot, heat water for pasta. (This is a fine time to dance.)
– Right about the time the water begins to boil, the potatoes should be tender.  Toss pine nuts into skillet with potatoes and allow to brown just a bit.
– Add pasta to boiling water and cook according to package directions.
– Turn potatoes down to low. Add squash blossoms and stir.  If necessary, add a dash more olive oil.
– When the pasta is al dente, drizzle the honey over potatoes and squash blossoms.  Stir to coat and heat evenly.
– Drain pasta in a colander.  Place spinach in empty pasta pot and after pasta is finished draining add back to the pot so the pasta heat slightly wilts the spinach.  You may toss with a little more olive oil.
– Place pasta and spinach in a large bowl. Spoon sweet potato and squash blossoms on top. Garnish with fresh parmesan and pepper if you like.Light the candles.  Good night.

With heels kicked up,
~ Catherine

 

Never enough time to say no

Are you used to the idea by now that your days aren’t long enough?

My father once asked me this during a week when I’d just moved and was still unpacking boxes.  I was also in the middle of putting out an issue of dirtcakes the literary journal I edit, finishing a poetry manuscript, writing an essay collection, and baking cookies to take for an overnight visit to that same man who’d just asked me if I was ready yet to bow to the superior strength of time’s speed pitted against my endless to-do list that stretched like one of Jack Kerouac’s legendary giant paper roll manuscripts.

From the back cover of On the Road: The Original Scroll

I almost said no, my days are never long enough.  And then I paused.

Every single day there’s time for meditation and prayer, for long dinners with my husband, conversation with our parents and children, my sisters and neighbors, friends and strangers.  I have all the time I need to hike with my dog at least for a bit and toast small discoveries like the way the afternoon sun slants golden in the living room window of the new house.

Every day is exactly as long as it needs to be when I take time to write and teach and breathe a prayer of gratitude for living with the kind of mind that dreams up all the things that fill my days.   That to-do list only feels like it stretches to eternity, but in fact it’s filled with tasks that will hardly outlive my body the way love will link my life to others in ways that will continue to give long after I’m gone.  There’s never enough time to say no to what matters.

So, yes, I said, rather surprised at myself.  Every day is exactly long enough, I told my father.  Yes, this day is the perfect length, as will be the one tomorrow when I come visit.

What, what did you do today?  My monkey mind can’t help but ask this persistently during the daily hour when I finally concede surrender to the uncrossed off items still standing under the to-do heading.  My answer today?  I wrote you and I feel great.  And now it’s time to go get busy in the kitchen.


With all the time in the world,
~ Catherine

p.s.  If reading lists brings you pleasure, one of my all time favorite books is Journeys of Simplicity: Traveling Light edited by Philip Harnden.  It’s a compilation of lists from writers, poets, even an arctic tern.

An excerpt:

RAYMOND CARVER’S ERRAND LIST:

Eggs
peanut butter
hot choc

Australia?

Antarctica??

What will you pack into your day? What are you willing to let go?
~C

The Weekend Dish – Snickerdoodles

The summer I was nine years old our family embarked on a cross country driving trip. We were mixing touring the United States with meeting our mother and father’s extended families. Piling into the the large, brown Pontiac station wagon along with the ensuing daily “discussion” over who would get to sit in the rear-facing back seats became the routine. The anticipation of getting to St Louis, where our mother’s cousin and her family lived, was growing by the day. Following the introductions, a bit of awkwardness developed as we attempted to become acquainted. A snack of snickerdoodles and a drink was offered. We were unfamiliar with snickerdoodles but soon learned they are delicious cinnamon sugar cookies. There is nothing quite like cookies to put a slightly awkward crowd at ease. That afternoon, we shared stories and jokes getting to know each other better while nibbling snickerdoodles.  Our delight with the cookies during our visit  prompted our mother to request the recipe. The snickerdoodle has now made it’s place in my recipe box and it has become a regular on the annual Christmas cookie platter. The sweetness of the cinnamon and sugar along with a slight tartness from the cream of tartar mix together to create a perfectly delectable blend of flavors.  

Snickerdoodles

1 cup shortening   (I use butter)

1 1/2 cups sugar

2 eggs

2 3/4 cups flour

2 teaspoons cream of tartar

1 teaspoon baking soda

1/2 teaspoon salt

Cinnamon sugar:  to make cinnamon sugar, mix 1 tablespoon ground cinnamon (or to taste) with a quarter cup of granulated sugar.

Heat the oven to 350 degrees.

In a large bowl, using an electric mixer, cream together the shortening and sugar until light and fluffy. Add the eggs, one at a time, beating thoroughly between each addition.

In a separate bowl, sift together the flour, cream of tartar, baking soda and salt. Add to the shortening mixture, beating well. Refrigerate until firm, about 30 minutes.

Tear off walnut-size pieces of dough and roll each into a ball. Roll in the cinnamon sugar mixture and place on an ungreased baking sheet, spacing the cookies about 2 inches apart. Cookies can be pressed with a fork in a criss-cross pattern if you want. Bake until the cookies are light brown and firm on top, 10 to 15 minutes.

Cool the cookies on the baking sheet for 5 minutes, then transfer to a cooling rack to finish. Store in an airtight container.

Enjoy!

~Sue

Give the people a love story

What are you writing?
Everyone wants to know.
Wretchedly miserable love poems, I say.
The poems or the love?
You, of all people, must know.
(from beach bag journal, 2005)

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Kauai is a study in couples.

Yesterday’s bride perches poolside, feet dangling in the water.  A fraternity-size of group of men surrounds her, holding out icy cups of beer.

“Drink!”
“Drink!”
“Drink!”

“No more!” she insists and jumps to her feet.

Newlywed

As she sashays away the rhinestone word scripted across her bikini bottom sparkles in the afternoon sun. The man wearing the white Groom hat downs his beer and doesn’t follow.

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Fewer people will look you in the eye and say, I could be your lover than the number who will say they’re thinking about becoming a writer too.

Which one of these is the harder thing to do?
(from beach bag journal 2006)

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The friends who join us on this trip point out The Feral Pig, a restaurant that used to be a breakfast place.  “We ate there on our honeymoon. ”

These are the kind of friends we’ve had since before we both married that hot summer of 1980, D and I trading bridesmaid duties.

Today they giggle, then tell us a honeymoon story.

One morning, we saw a couple eating breakfast there.

They just sat at a table, drinking coffee, reading the newspaper.  They never even talked to each other.

We think of that couple all the time.  We don’t to be like them.

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Repeat after me: Give the people a love story.

Los viejitos sólo deben salir para ser amables.  Old people should only go out in public to be sweet.

This quote is attributed to Leopoldo, the uncle of Aura Estrada, Aura, the muse and amor of author Franciso Goldman, Aura, the woman who died in a freak body surfing accident and then Francisco wrote about her in the most beautiful book I’ve ever read.  In Say Her Name, Francisco says,

“Hold her tight, if you have her; hold her tight, I thought, that’s my advice to the living. Breathe her in, put your nose in her hair, breather her in deeply. Say her name…”

He can write about love like that because he doesn’t have it anymore and no one can accuse him of being sentimental.

I read Say Her Name on the beach and remember a question I once asked an entire class at the end of a semester when I was a literature grad student.

“Where, where is the happy love story, the great literature happy love story?”

Titles peppered me like small darts. Love in the Time of Cholera.  Anna Karenina. Lolita.

So I start with Lolita. I find love in a million masks: obsessiveness, possessiveness, irrationality, kindness, tenderness, anger, illness, forgiveness, relief and release, madness. Is this the only kind of love that makes great books? I really need to know the answer to this. I really need to find a happy love literary feat.

My friend who’s never been to grad school but loves to read suggests Rebecca.   I look it up, it’s a romance novel. I don’t read it.

Maybe love and literature are like the raindrops in a storm.  Who can write well about one small droplet of water without evoking thunder and floods and the loss of sun behind clouds?  One small drop of fresh water. Where’s the miracle in that?

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“We’re on our honeymoon.”

I tell this to my husband, (isn’t that a glorious word?), I tell my husband this as we stand at Gate 45 in LAX preparing to board our flight to Kauai.

“Our honeymoon. Yes. I like the sound of that.”

In truth, we’ve been married almost 32 years.

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Writers block only happens when you stop telling the truth.
(Scribbled in my Theory of Fiction Class Notes)

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The Gray Divorcés

The divorce rate for people 50 and over has doubled in the past two decades. Why baby boomers are breaking up late in life like no generation before.
Wall Street Journal headline, March 2012.

One small drop of fresh water. Where’s the miracle in that?
Repeat after me:
Give the people a love story.

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You don’t brick over the hearth if the fire burns out.  You gather kindling and tinder. You haul in logs from the woods.  Hell, you cut down the whole damn forest  if you must.

You hold a long-stemmed match to crumpled paper of your past and breathe and blow to fan the flame. You swear to tend this fire as if your life depends upon it.

You don’t want to be that couple that doesn’t hold hands on the beach, nor the one who doesn’t talk at dinner.  You want to be that one over there, the one laughing in the surf, holding hands.  I wonder if they’re on their honeymoon?

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“Write love stories. I benefit when you write love stories. I’ll be your research.”
J says this to me one day when I say I’m only writing sad stories.
(From my journal, March, 2007)

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Just don’t lie to me says the writer to the heart. It makes the work turn out badly.

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I tell J I’m sorry. I can’t write a happy love story. I wonder though: can I write you a life instead?

~With love, C

Things I find on the beach

A found a cat’s eye marble once.  A salt-pitted wedding band.  A mirror.

And you, of course, in my beach journal from Kalapaki Beach, Kauai one June.

Overheard in the water, father to his daughter on Saturday

The knee-high girl with butter blonde hair is bright as a bobbin in pink rash guard and orange ruffle bathing suit.  As she jumps small waves, she practices a new word.

Here comes undertow!
Can you see undertow?
There it is—
There’s undertow!
Here it comes again!
It’s undertow!
Jump undertow!
Here it is!
Here’s undertow!
We can’t ride undertow!
He can’t hurt you!
Here it is—
He’s undertow—

A wave washes up to her chest and she screeches in the way little girls at the beach sometimes do.

“Daddy!”

The man standing with her pulls her high into the air.

I’ve got you— I’ve got you—
I’ve got you—
Don’t worry
That’s just the current
It won’t hurt you
It can’t carry you away.
Don’t worry. I’ll never let go.
I’ve got you.
I’ve got you honey, I’m here.

Overheard the same day
This from the man in the navy blue baseball cap and black sunglasses to the boy calling, “Dad!  Dad!” who is trying to cling to his neck in the waves.

Touch me one more time and I will walk straight up to the babysitter and make a reservation for you.

The boy swims to the shore and walks away alone up the beach without looking back.

Later that day:  Seen but not heard at sunset

The man and woman recline side by side on lounge chairs.  Both silent. Both reading. She sets down her book, glances at him.  He doesn’t look up.

She peels her pink tank top over her head, sheds her khaki shorts.  She tiptoes across the hot sand to water’s edge and sits, facing the sea.

He looks up from his book to the horizon.  He sets down the book, stands and picks up a camera from the small glass side table.  His gait across the sand is silent, bobbly. Quite slow.  He peers through his viewfinder as he walks.

Without a word, he places his hand hand on the woman’s shoulder.  She swivels her head, upturns her cheek, mouths a silent “Oh?”

This is the moment he presses the shutter.  Then he lowers the camera from his face and returns the smile she shines upon him.

What else do I find by the sea? A thought.

Hours ago, a huge dock was found on Agate Beach in Oregon, debris finally at rest after its untethering from Japan during last year’s tsunami.  You can read about it here.  Official reactions are mixed.  Some marvel at its long journey. Others worry about the environmental contamination it might bring.

On this day by the beach, I too can’t help but wonder:  Will I leave behind delight or detritus today?  And you, what about you?

With all due respect to oceans and tides,
~C

Things I will miss someday

You, of course, Dear One,

And books made of paper.

I know this for certain as I pack my bookcases, preparing to move.  When I open my dog-eared copy of Barbara Kingsolver’s, Animal, Vegetable, Miracle, I discover a pencil-scrawled note in my own hand.

…overheard in Target at the checkout line by a little girl wearing a bee yellow soccer t-shirt.

“Can I start reading my new book in the car, Mom?”
“
No, Chelsea. No. Don’t ask me again.”

I write all kinds of things in books. Notes to myself. Things to track down.  Finding this jot immediately takes me back to that night in Target and how I almost touched Chelsea’s shoulder and told her she could drive home with me.  Realizing that would be an infintely eerie and highly misunderstood act, I inscribed her name instead and recorded these words in a book I hadn’t even paid for yet to remind me to speak wisely to my own daughter.

I wonder someday, when all the books are digital, where I’ll keep these memorandums.

It’s frontismatter – will that word become extinct? – and marginalia words recorded in another’s hand that I’ll miss even more when paper books have dwindled to near extinction.

As I pack another shelf, I discover my mother’s signature, swirled in black fountain pen, on the browned and brittle first page of a 1965 Vintage edition of Anne Morrow Lindbergh’s Gift From the Sea. So many years after the lend I feel guilty that I’ve not returned it, but in exact opposition to the slow way I lost track of having her book, I immediately remember her words the day she pressed it into my hands.

“This is a lovely book for a woman in the middle of family life. I think you might enjoy it. I know I did.”

I read the book as grown-up daughter, not the seven-year-old I was when my mother read it first, and I wonder if this passage also began a slow shift in the river of her life the way it opened in me the possibility of finding rhythm, peace, and solitude in nature.

“…Woman’s life today is tending more and more toward the state of William James describes so well in the German word, “‘Zerrissenheit—torn-to-pieces-hood.’ She cannot live perpetually in ‘Zerrissenheit. She will be shattered into a thousand pieces.”

The wonderful thing about my mother is the graceful way she can guide without seeming to do so. So subtle was her influence that even though I own several editions of Gift From the Sea, and I’ve given it frequently as a present, it wasn’t until I found my mother’s copy, with her tidy penmanship on the blank first page, that I remembered who first introduced me to its beauty and its wisdom.  I also realize if I alone have kept it all these years, my sisters haven’t had a chance to read their mother’s treasure. Mea culpa, mea culpa.

Packing and moving can make a person feel nostalgic, but this longing for the permanence of pen and ink goes deeper than my desire to touch the same page as one I love.

Where will I find the croissant crumbs from that little boulangerie in Paris when I reread Baudelaire?

Where will I tuck the card or letter from my book’s giver and how will he inscribe upon the front, “Love, Dad.”

When I really really miss you, where will I find your chocolate fingerprints, or the sand leftover from your own sojourn one summer by the sea?

I suppose these things will remain alone in my memory’s cache or I’ll forget and never miss what I don’t recall.

Oh I suppose I could always write about them, but how would I find the time and words?

Imagine this in pen and ink,
C.


The Weekend Dish

We know your mother is the sun, the stars, and the moon (OK, that’s the last moon reference for a very long time.)  And we know how much you like photography. So why not take mom to San Diego’s Balboa Park this weekend for a superb photography exhibit?

Sure, it’ll probably be crowded at the park. But Sunday, May 13 is your last chance to catch  “Eyes of a Nation: A Century of American Photography” at the Museum of Photographic Art.  (Admission:  $8 with discounts for seniors, students, and military.) There are so many things to love about the show, but as a neophyte photography historian, I found it deeply interesting that it’s arranged to follow the history of photography’s evolution into the realm of fine art.  You can read W.S. Di Piero’s fine review here.

Di Piero is also an accomplished poet whose most recent book, Nitro Nights (2011), was published by Copper Canyon Press, the Port Townsend publishing house I was reading for when I discovered a the “grey-haired man and a white-haired woman” from yesterday’s post.

As I was saying.

Take a picnic. I’ve already checked and predictably The Prado has no reservations. The sweet hostess who answered my call chortled a little when I asked if she thought a person might be able to get a stand-by seat.  “It’s MOTHER’S DAY,” she said. In all caps, just like that. As if I didn’t know.

Take a garden walk.  Choose between the Lily Pond in front of the Botanical Building (free);  the California Native Plant Garden (free); or the Japanese Friendship Garden ($4). If none of those inspire, there are 16 others to choose from. Preview here.

Take a seat at the free organ concert at the Spreckels Organ Pavilion from 2-3 p.m.

If you go. Take a picture with your mom and send it to us.  Because here at The Backyard Sisters, we love our mom.  She taught us that sunglasses can create allure, that outdoor dining is the finest, and that family really is the most important thing.

Backyard Sisters, circa 1966
(Yes there are four of us. More on that another time.)
 

What’s the sound of mothers dreaming?

Nanzenji Temple Trees, Kyoto

The sound of my voice in silence makes only one mistake. So I’ll tell you about a small two-story grey house. Can you see weeds flutter among patches of dry Bermuda grass and a chain link fence encircling the front yard which is protected by a padlocked gate?

Imagine shadows, long and chilly. I’ve been here only at dusk for the hour when I used to teach meditation to young women who live at this safe house. They’ve fled abusive relationships. They’re pregnant, or have recently given birth. I’d like to say I exuded an aura of peace when I arrived, but the truth is my silver meditation chimes clattered against each other as I hurriedly picked my way between strollers, a red plastic tricycle, and the rocking horse that cluttered the front porch.

I was, am still, practicing the art of moving gracefully through the day. This class was my idea. I was new to meditation and felt its effects to be profound.  Like the first time I ate a lychee while traveling in Japan and discovered its seed buried unexpectedly beneath the rough bark peel and slippery ivory flesh, when I began to meditate, I found a deep kernel of peace enfolded in my heart and was surprised it lived there. Also, I discovered that when I was very very quiet I could hear my voice, the one that  sounds like the true me without any doubt or hesitation.

It seemed odd: me teaching women with one, two, or three infants or toddlers who barely have time to use the bathroom alone, never mind the possibility of finding solitude to meditate.  I told them that going deep within, to a quiet and holy place, might ground them and bring them peace. Sometimes I felt like I was offering peanut brittle to the toothless, but it was really all I had. Of course when my two children were babies, I’d found no time to center myself. Yet now, when I need it maybe less than I did then, I begin my day before dawn with an hour of reading, meditation and contemplative prayer. This stillness carries me through the day like a time-release sedative.  I reflect on many things, but my thoughts frequently turn to the concept of voice. Do I use mine enough?

One night, after class, I have this dream:

I doze in the sun on a plastic-strapped lounge chair next to a small apartment building pool with leaves and twigs floating atop the water.

Splash!  I open my eyes to see one boy, young enough to still have his milk teeth, smiling as he dog paddles in the shallow end.   “Dad!”  yells a high-pitched voice.  “Dad!  I’m over here.” A man waves absently at the boy and slowly picks his way around the pool deck littered with old chairs. 

The boy cannonballs off the side of the pool.  The father gazes at me, working a cigarette with his lips. He descends the pool steps and wades into the shallow end. 

I peer over the edge and see a dark shape at the bottom, like a balled-up baby doll of a lump.

I glance at the shallow end where the boy sits astride his father’s shoulders thrusting his fists into the air. But I can’t hear him any more. I look again and that thing on the bottom of the pool is still there. 

It looks like a baby doll. Oh please, let it be a baby doll. Precious oxygen time is wasting and still, I don’t dive in. I don’t want to be involved in death this afternoon, especially not the death of strangers. I will not jump in. Even as I say this in my head, I open my mouth.

“Help!”  I yell. There is no sound I scrunch my face and try again.

“HELP!” The boy jumps off his father’s shoulders and the father ducks below the water.

I look again at the shadow on the bottom of the pool. Deliberately I open my mouth wide. “Help! “There’s a baby on the bottom of the pool!” I’m yelling in silence.

Alone, I plunge into the cold water,  try to retrieve what I can hardly bear to touch. A body, rubbery.  And cold.  So cold.  She is cold.  She’s blue.  Dead. Then I shriek.  The man and the boy rush to my end of the pool.  I huddle over the body, shielding the sight from the young boy. 

I’m awake.  Straight up in bed. I’m screaming.  No sound comes out.

For many mornings, I sit in meditation with this dream. Of course I don’t tell the women at the safe house to sit with nightmares looking for answers.  In fact, I really don’t tell them much. I repeat the words of Buddhist monk, Thich Nhat Hanh.

Breathing in, I calm. Breathing out, I smile. Breathing in, I dwell in the present moment. Breathing out, it is the most wonderful moment. For one simple hour we concentrate on the gentle rhythm of breath. We drink in the blessed silence that happens when babies fall asleep in their mothers’ laps, safe, warm and full, sometimes working their lips as they suck in their dreams. I whisper the thought that this kind of peace can be recalled at other, less tranquil times, as a balm against anger or frustration or fear. Breath is always with us. Sometimes a hardness about the women’s eyes begins to soften. I tiptoe out when my hour is up, not wishing to disturb the mothers who’ve fallen into deep meditation, or sleep, themselves.

Shortly after my dream, meditation classes are cancelled. It has something to do with house counselors wanting more time for job skill training and Bible classes. Yet, I think often about the young women who live in that grey house, wonder if they remember anything at all about what I tried to teach them.  They never considered anything they were doing as remarkable. Not the courage it took to leave their abusive situations. Not the energy they poured into keeping their babies safe and working on a new sort of future.

“We’re just trying to breathe,” they’d say. Then they’d laugh like children.

If you want to begin meditation or deepen your spiritual practice here are some of my favorite book resources: The Energy of Prayer by Thich Nhat Hanh “When love and compassion are present in us, and we send them outward, then that is truly prayer.” Open Mind, Open Heart by Thomas Keating “The will is designed for infinite love and the mind for infinite truth, if there is nothing to stop them, they tend to move in that direction.” Or, if you prefer a quick how-to article, you can check out Sam Harris’ “How To Meditate.” Peace, C.

Zen Rock Garden at Nanzenji Temple, Kyoto